jeśli twoje dziecko najbardziej na świecie kocha filmy, a ty najbardziej na świecie kochasz swoje dziecko, to kup mu cinema speculation - w świątyni, rozdział 15:

Cinematically speaking, its Siegel’s most expressive film. (..) Siegel never engaged in cinematic set pieces, until the beautiful, practically wordless opening sequence of Escape from Alcatraz. (..) From Eastwood’s first appearance as Frank Morris, being led off the ferry in the pouring rain onto the isolated island in his raincoat. To the older but still virile Eastwood (who looks as if he’s been chipped from granite rock as much as the penitentiary) being walked into processing in his old school grey suit (back in the day when people went to prison in suits and it wasn’t a statement), being made to strip while the prison doctor examines his mouth like livestock. To being marched naked through the cell block (brilliant), the sound of his bare feet slapping out a rhythm against the cold concrete floor that echoes against the stone walls of The Rock. To the final moment when Morris is placed in his cage, the cell door is slammed shut, and the guard says the first real line in the film; “Welcome to Alcatraz” , punctuated by a Mario Bava-like thunder clap and lightning bolt. “Bravo!”